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1、影视录音常用设备,Sound system,What we need?,Production Microphone Mixer Recorder Postproduction DAW Post recording system Sound mixing system,Production sound systems,microphone camera microphone mixer camera microphone mixer recorder microphone pre amplifier mixer recorder,Equipments,Microphones Wireless S
2、ystems Boompoles Mixers Recorders Communication Playback Systems Power Solutions Walkie Talkies Sound Control Accessories,Microphones,Shotguns Lavaliers Stereos Surrounds,Microphones _shotguns,Shotguns Sennheiser MKH 416 Short Shotgun Mic Sennheiser MKH 60 Super-cardioid Condenser Shotgun Sennheiser
3、 MKH 70 Long Shotgun Sennheiser ME 66 Super Cardioid Condenser Schoeps CMIT5U Super Cardioid Shotgun Mic Sanken CS-1 Short Shotgun Mic Sanken CS3e Super-cardioid Condenser Shotgun Neumann KMR 81 Shotgun Neumann KMR 82i Long Shotgun,How to choose shotguns?,Frequency response Low cut High frequency bo
4、ost Out-of-axis frequency response Directional pattern Cardioid Super-cardioid Effective pick-up angle (3dB sensitivity decreasing) cardioid 1300, super-cardioid 300 -400 Sensitivity Dynamic range,Sennheiser MKH 416,Power Supply: P or T,Sennheiser MKH 60,Sennheiser MKH 70,Sennheiser MKH 416 vs. 60 v
5、s. 70,Sanken CS-1,Short shotgun Very sharp directivity in a 181.5mm length body Flat frequency response beyond 20kHz(on axis) High sensitivity -30dB/Pa Accepts high SPLs. More than 137dB SPL (1% THD). With no distortion in close miking. Narrow angle directivity over the entire frequency range. Overr
6、all rear rejection. 22dB/20kHz. 18dB/10kHz. 27dB/1kHz. 27dB/200Hz. Light weight. Only 100g. Easy to operate on a boom pole.,Schoeps CMIT 5 U,Low coloration of off-axis sound Even greater immunity to wind noise than a SCHOEPS super-cardioid Directionality increases smoothly with higher frequencies, w
7、hich results in a very balanced sonic character Capsule and amplifier are built as a single unit,Schoeps CMIT 5 U _more,The sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal plan
8、es.,Schoeps CMIT 5 U _more,Three pushbutton-activated filters allow the microphone to adapt to the recording situation High-frequency emphasis (+ 5 dB at 10 kHz) enhances speech intelligibility, and compensates for high-frequency loss caused by windscreens; A steep low-cut filter (18 dB/oct. below 8
9、0 Hz) suppresses wind and boom noise; A gentle low-frequency rolloff (6 dB/oct. below 300 Hz) compensates for proximity effect.,Microphones _supercardioid,Schoeps MK41 Schoeps CCM41,Schoeps MK41 and CMC 6,Supercardioid with highly consistent directionality throughout its frequency range. High direct
10、ivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies. off axis attenuating even more than with a cardioid directivity is highly independent of frequency, even sounds arriving off axis and reverberant sound are registered without coloration The pickup is “drier” a
11、nd less susceptible to acoustic feedback than any other SCHOEPS capsule type Even distant placement of the capsule produces a very natural sound pickup. This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent exceeding that of a supercardi
12、oid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Good to use in room.,Schoeps CCM41,Similar to MK41 Compact mic,Schoeps vs. 416,Schoeps话筒比416话筒更敏感
13、，手持噪声和移动话筒的噪声都容易串入，用于同期录音时一般在前级加高通/低切滤波器。该配件需单独购买。,Microphones _lavaliers,Lavaliers Countryman B6/B3 Miniature Omnidirectional Lav Countryman EMW Lectrosonics M150 Omnidirectional Lav Sanken COS-11 Omnidirectional Lav Sennheiser ME 2 Lav Sennheiser MKE-1/2 Omnidirectional Lav TRAM TR-50 Omnidirectio
14、nal Lav Sony 77B/ECM-88,How to choose lavalier?,Nice sounding Omni-cardioid Less positioning problems (people moving their head all the time) Less sensitive to wind and poping Good matching to boom mic Dynamic range (low distortion at high SPL) RF interference resistance Power supply (from AA batter
15、y or 48V phantom power on mixer or recorder) Easy to hide,Countryman B6,Smallest lavalier in the world only one tenth of an inch (0.1 inch, 2.5mm) in diameter Easily hidden in hair/costumes or glued on performers faces in film, theater and broadcast Changeable protective caps Moisture resistance Col
16、or options (6 colors) Shape the frequency response for different situations or to match other microphones Low distortion at SPL up to 150dB on 48V phantom power Low handling noise Excellent rejection of surrounding noise High quality audio,Countryman B6 kits,B6 lavalier microphone Kevlar cable Caps
17、Windscreen Tie clips Carrying case,Countryman B3,Similar to B6,but cheaper 0.2 inch in diameter Moisture and perspiration resistant when used in hair, on the body and in bad weather,Countryman EMW,Omni-directional Very low rubbing noise Highly moisture resistance Allows use near water or in intense
18、weather,Sanken COS-11D,Overcomes digital transmitter RFI (radio frequency interference) Water resistant Improved moisture resistance Original vertical diaphragm design Optimized for human voice,Sennheiser MKE 2-ew Gold,Omni-directional Max SPL 142dB,Sennheiser ME2 Lav,Use with evolution wireless SK
19、bodypack transmitters,TRAM TR-50,Miniature Omni-directional Electret Condenser Microphone Minimum sound coloration for universal use Easily combined with boom microphones Tiny, lightweight and compact; easily concealed Extensive range of mounting accessories Wide frequency response Very low rubbing
20、noise Internal battery or 12-48V phantom power* (*with positive bias version only) Detachable 250 Q power supply Available in 4 colors: black, gray, white, tan Large range of connectors for direct use on a wireless transmitter Strong, durable and reliable,Microphones _stereo,Stereo Sanken CSS5 shotg
21、un stereo mic Sanken CMS-10 Schoeps CMIT M/S set Schoeps CCM 8 & CCM 4/41 M/S set Neumann RSM 191 M/S set Sennheiser MKH 418S shotgun M/S mic Sennheiser MKH 30/60 M/S set,Sanken CSS-5,First stereo shotgun 3 mode switchable MONO (shotgun) Normal STEREO (1200) Wide STEREO (1400) Superb rear rejection
22、at 180 degrees even in low frequencies MONO-STEREO compatibility. Mono and phantom center have the same sound characteristics,Sanken CSS-5,MONO mode sharp directivity is maintained over a wide frequency range for the aimed frontal sound sources, using the combination of a second gradient microphone
23、and a line microphone. It is significant that the CSS-5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space. Normal mode picks up the targeted sound as well as extremely accurate stereo localization. STEREO angle is 120. Wide mode designed
24、 for stereo recording of sound effects and environmental information where dialogue will be dubbed in at a later date. This mode allows a wider 1400 stereo width. Mono-Stereo Compatibility In stereo recordings, the frequency response of the MONO summed output often exhibits interference, or comb fil
25、tering. This phenomenon is caused by phase differences between the Left and Right signals. This does not occur in single point recording.,Sanken CMS-10,Switchable mode Very sharp mono-shortgun Stereo (with pick-up angle 1270) Short length (210.5mm) and light weight (170g) Using PPS diaphragm. It mai
26、ntains high durability and quality even in high humidity environments Specially designed suspension holder. Can isolate camera motor noise in camera mount use Basic design is M-S. but it include M-S to L-R circuitry. and allows a direct L-R signal,Schoeps CMIT M/S set,Complete set for M/S stereo wit
27、h “shotgun“ microphone CMIT 5 U for the M channel and a CCM 8 Lg compact microphone in the S channel,Schoeps CCM 8 & CCM 41 M/S set,CCM 41/ MK41 for “M” signal CCM 8 for “S” signal Can be set up at quite some distance from the sound source,Neumann RSM 191 M/S set,One hyper-cardioid capsule One figur
28、e-8 capsule MTX 191 A matrix amplifier Adjustable pick-up angle and high directivity 1700、1500、1250、1000、750、600,Neumann RSM 191 M/S set,Capsules in detail and connector,Sennheiser MKH 418S M/S mic,Shotgun M/S mic,Sennheiser MKH 30/60 M/S set,MKH 60 super-cardioid MKH 30 figure-8,Microphones _surrou
29、nd,Surround Sanken WMS-5 5.0 surround microphone Schoeps Double M/S surround microphone Schoeps IRT Cross surround microphone,Sanken WMS-5 5.0 surround mic,Worlds first 5-channel surround mic self-contained in one mic body 5 surround outputs (L/C/R/LS/RS) Compact size 235mm(length), 235g(weight) Pre
30、cise phase coherent M.S.M capsule layout MS to LR Matrix circuitry in the mic body Ideal 5.0 sound localization,Sanken WMS-5 5.0 surround mic,How does it work? (Double MS) The front “M” capsule is used for both C and front L,R The “S” signal is for front L,R and rear LS, RS The rear “M” capsule is u
31、sed for LS and RS For precise phase coherent, front M, back M and S capsules are set vertically on the same axis The front “C” capsule has shotgun directivity Stereo angle is 1200 (L/R, LS/RS),Schoeps Double M/S surround mic _supercardioid,A front-facing cardioid or super-cardioid “mid” mic and a fi
32、gure-8 “side” mic, a rear-facing directional mic,Schoeps Double M/S surround mic,Appearance,Schoeps Double M/S surround mic _shotgun,CMIT Double M/S set,Schoeps IRT Cross surround mic,With compact mic CCM 4/41 For ambient recording Transparent and spacious rendering of the acoustic environment,Wirel
33、ess systems,Lectrosonics Sennheiser Zaxcom Ramsa,How to choose wireless systems?,Frequency range Stability True diversity Auto dynamic control Power Concern to effective working distance Power supply _AA battery or DC Noise restraining,Lectrosonics 400 Digital System,One UM400 transmitter One UCR411
34、 receiver One M-150 lav or COS-11 lav,Lectrosonics 200 System,One UM200C transmitter One UCR201 receiver M-150 or COS-11 lav,Lectrosonics Quad Pack System,(4) UM400 transmitters (4) UCR411A receiver (4) COS-11 lavs A rack mount with power supply,Lectrosonics UH400,Plug-on transmitter Mostly for hand
35、-held mics,Sennheiser Evolution G3 System,SK 500 G3 bodypack transmitter EM 500 G3 rack-mount receiver MKE-2 gold lav,Sennheiser Evoluation G2 System,One SK100 or one SKP plug-on transmitter One EK100 receiver ME2 or COS-11 lav,Sennheiser transmitter and receiver,Body pack transmitter SK100 Portable
36、 receiver EK100 True diversity receiver Portable EK3241 EM100G2,Zaxcom stereoline digital system,Stereoline digital stereo transmitter ENG digital receiver COS-11 lavs,Boompoles,K-Tek Ambient VDB PSC,K-Tek,Easy to go? Light? All in one?,K-Tek K-152,Short pole for film, long pole for video 5 sections
37、, from 91cm to 386cm Available wired with internal cable and bottom or side connector base, or unwired,K-Tek K-202,Standard film production pole 5 sections, from 116cm to 513cm Available wired with internal cable and bottom or side connector base, or unwired,K-Tek K-102,Most popular for video 5 sect
38、ions, from 60cm to 267cm Available wired with internal cable and bottom or side connector base, or unwired,K-Tek Avalon KE-110,Designed for ENG, EFP, DV Production 5 sections Internally wired, Female and male XLR,Ambient QP 480,Standard boompole Length 105-350cm Wired or unwired Mono/stereo line for
39、 wired pole,Ambient QP 4140,Standard boompole Length 154-540cm Wired or unwired,Ambient QX 580,For ENG and video market 5 sections Length 80-330cm,VDB,Medium 60cm-275cm Extra large 110-560cm,PSC elite medium,5-section carbon filter Length 66cm-251cm,Microphone Accessories,Wind restraining Foam winds
40、hield Zeppelin windshield Windjammer Suspension,Rycote full windshield kits,Foam Wildshield Suspension Windjammer Package case,Mixers,Sound Devices Audio Ltd Sonosax,How to choose field mixers?,Portable (small, light, powered by AA or DC) Mic/line input channels Phantom/T powering supply Meter monit
41、or (peak and VU) Simple EQ and filters OSC(1kHz at least) Output (mono/stereo/multi) Monitor signal selectable Cue Talkback,Sound Devices 442,Portable mixer for production, ENG and film 4 transformer-balanced mic/line level input on XLR connectors 2 transformer-balanced line/tape/mic level output on
42、 XLR connectors Continuously adjustable input trim Variable high pass filter Continuously variable pan control Phantom or “T” mic powering per channel Solo (PFL) monitoring in headphones On-board MS stereo matrix Peak limiters per channel,Sound Devices 442,Front, input and output panels,Sound Device
43、s 552,Portable production mixer with integrated two-track, digital audio recorder writing wave files to SD or SDHC media. 5 mic inputs with two stage gain control, limiter, variable high-pass, and solo monitoring Pre- or post-fader direct outputs per input Multiple, balanced output connections, incl
44、uding 2 XLR, Hirose 10-pin and TA3 AES/EBU output option, on either XLR or 10-pin multi-pin, two connections for 4 channels of digital output, sampling rates up to 96kHz,Sound Devices 552 _front panel,Sound Devices 552 _input panel,Sound Devices 552 _output panel,Sound Devices 302,Compact production
45、 field mixer 3 transformer-balanced mic/line level inputs on XLR connectors 2 active-balanced line/tape/mic level outputs on XLR connectors Stereo and MS linking of channel 1 and 2,Sound Devices 302,Front, input and output panels,Audio AD146,Portable location mixer 6/8/10/12/18/24 inputs, 4/2 output
46、s MS matrix,Audio AD245,Portable location mixer 2 stereo outputs,Audio AD261,ENG field mixer,Shure FP33,3 inputs, 2 outputs,Recorders,Sound Devices AATON Nagra Fostex HHB Sonosax,How to choose recorders?,Portable (small, light, powered by AA or DC) Channels Recording media Timecode function Connecto
47、rs Level adjustment Monitor Still need mixers? Mic amplifier Input level adjustment for each channel Channel routing Monitor modes shifting,Sound Devices 788T,Input connectors 4 Mic/Line/AES XLR 4 Mic/Line TA3 4 AES DB15 Output connectors 4 balanced-analog line / AES TA3 1 AES DB15 160G hard disk &
48、CF card & external hard disk 12 channels With Timecode,Sound Devices 744T,Input connectors 2 Mic/Line/AES XLR 2 Line TA3 Output connectors 2 line TA3 2 AES BNC 80G hard disk & CF card & external hard disk 4 channels With timecode,Sound Devices 702T,Input connectors 2 Mic/Line/AES XLR 1 AES BNC Outpu
49、t connectors 2 line TA3 1 AES BNC CF card & external hard disk 2 channels With timecode,AATON CANTAR 2,Input connectors 5 Mic XLR3/XLR5 4 Line XLR5 8 AES SUBD15 Output connectors 1 line XLR 8 AES SUBD15 80G hard disk & DVD 8 channels With Timecode,Nagra,King of analog era Nagra 4.2 (double mono, analog tape inch) Nagra 4S (stereo, analog tape inch) Nagra D (open-reeled digital tape) Nagra V (hard disk),Fostex FR-2 & FR-2LE,Fostex PD606,8 tracks Record to internal HD / DVD-RAM On-board 6 channels mixer,Communications,HME DX100 PSC,Sound Control,Auralex PSC HUSH HEELS,Ac