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1、文档来源为:从网络收集整理.word 版本可编辑.欢迎下载支持民间艺术语言在动画表现中的艺术魅力民间艺术作为传统艺术的一个重要组成部分,以其独特的魅力和顽强的生命力 ,始终在散发着熠熠的光辉。许多民间艺术杰作,成为“华夏一绝”被传承和保留下来 ,它是中华民族千百年来民众创造并享受的文化,是民众智慧的创造。民间艺术的很多艺术形式,都形成了自身的特点,比如皮影和剪纸,其造型简约而不呆板 ,夸张但不怪异,统一中富有变化、形象夸张大胆、情趣诙谐幽默而不拘泥于现实情景 ,这些艺术的表现手法,都值得当今的艺术创作者们深入研究和探讨。这当中 , 又可以发现很多与现代动画渊源颇深的艺术形式。民间流传的走马灯、
2、木偶戏、皮影戏,就是现代动画艺术的前身。Folk art, as an important part of traditional art, with its unique charmand tenacious vitality, always sending out yi yi. Many folk art masterpiece, Chinese art was inherited and retained, it is the Chinese nation one thousand years people create and enjoy the culture, is thecrea
3、tion of the people wisdom. Many art forms of the folk art, has formed its own characteristics, such as shadow play and paper cutting, its modelling is simple but not dull, exaggerated but not weird, unified, rich changes in image bold, witty humor appeal and not constrained by the reality, the artis
4、tic technique of expression, is worth in todays artcreators in-depth study and discussion. Of these, and can find a lot ofquite deep origin and modern animation art form. Folk wisdom of regimes, puppet show, shadow play, is the forerunner of the modern artof animation.从本土文化中寻找动画形象,是我们今天动画创作的有效手段。中国本
5、土艺术造型语言非常丰富, 但如何能成为动画造型形象,使之把传统的本土文化符号转化为一种倍受当代人所喜爱的艺术形象,尤其是结合当代人的审美需求创新的动画语言,应该深入的研究。20 世纪 60 年代以来借鉴水墨画、剪纸、木偶、皮影等本土艺术造型语言的塑造创作动画片都比较优秀, 我们曾经有过十分优秀的动画片 ,在国内外享有较高的声誉,例如大闹天宫、 哪吒闹海、 骄傲的将军等大型动画片在形象设计方面毫不逊色于同一时代的迪斯尼动画片。因为它既不同于迪斯尼的造型风格,又不同于日本动画的传统风格,是一种带有中国特色和民族个性风格、承载着中国文化的动画形象。这些优秀动画片都是从民间艺术中吸取了大量有益的成分,
6、使作品具有极强的形式感和民族特色,至今仍是我国动画乃至世界动画艺术的经典范例。Looking for animation image from the native culture, is an effectivemethod for our animation production today. Chinese art language isvery rich, but how can you become animation modelling image, makethe traditional Chinese culture symbols into a highly modern p
7、eoplefavorite art image, especially in combination with contemporaryaesthetic demand innovation of animation language, should be studiedin-depth. Drawing ink paintings since 1960 s, the paper-cut, puppet,shadow play, etc. Local art modelling language creation animation isgood, we had very good carto
8、on, enjoy high reputation both at homeand abroad, such as the great heaven, nezha conquers make the sea ,proud generals large animation image design in such aspects as the same time Disney cartoons. Because it is different from the Disney style, and different from traditional Japanese animation styl
9、e, is a with Chinese characteristics and national individual character style, carryingthe animated image of the Chinese culture. All these outstanding animation absorb a large amount of beneficial elements from folk art, to work with a strong sense of form and national characteristics, is still a cl
10、assic example of animation art, animation in China even all over the world.动画借鉴传统造型形象有利条件较多, 因为几千年形成的中国本土艺术语言比较恒定,有着深厚的受众群体。从文化传承的血脉上是无法割断的,尤其是艺术造型元素突出, 有较强的包容性, 承传着文化脉络的基因,具有物质文化和精神文化的多重因素。本土艺术具有较强的审美意义,其造型形象有待开发的潜力是巨大的。如何把这些无形的资源开发利用好, 适用于动画（角色）形象造型之中,应该说是创作当代中国动画产业的核心任务。动画（角色）形象在整个动画片中占有极为重要的地位。一
11、部好的动画片必定有好的造型形象才能充分传达出故事情节和人物性格。好的动画（角色）形象不仅具有艺术性,而且具有的商业性,它已经成为商业运作的媒介和形象代言。时下具有重要影响的动画（角色）形象大都出自于国外 ,如米老鼠和唐老鸭、史诺比、凯蒂猫、狮子王、超人、圣斗士等,这些动画形象影响了中国的新一代人。近年来,中国的动画片产量逐年增大,技术力量也逐渐增强,也产生出了许多着名的动画（角色）形象。从中我们也可以看出,要创造令人喜爱的中国动画形象,必须从民族民间艺术中汲取营养,从中寻找审美语言、造型风格和艺术符号,走民族化的中国动画造型之路。Reference to traditional animati
12、on modelling image more favorable conditions, formed for thousands of years of Chinese local artistic language is more constant, profound audience. Cannot be cut off from the cultural heritage of the veins, particularly distinctive artistic modelling element, has the strong inclusiveness, inheritanc
13、e of the cultural context of genes, and have the multipleaspects of materialculture and spiritual culture. Local art with strong aesthetic significance, its modelling image remains to be development potential is enormous.How to put these intangibleresources development and utilization,suitable for a
14、nimation (roles) image modelling, it should be said that the central task of contemporaryChinese animation industry.Animationimage (role) in the cartoon plays an extremely important position. A good animated film must have good modelling image can fully convey the plot and characters. Good animation
15、 (roles) image not only artistic, but also the commercial, it has become a media and business image.Nowadays has the important influence of the animation (roles) image mostly come from foreign countries, such as Mickey Mouse and Donald Duck, snow than, hello Kitty, lion king, superman, Crusades, etc
16、, these animated characters influenced the new generation of China. In recent years, Chinas animation production increased year by year, also gradually enhanced technical strength, also has produced many famous animation image (role). From which we can see, in order to create a favorite Chinese anim
17、ation image, must draw nutrition from folk art, looking for aesthetic language, style and artistic symbol, go the way of nationalization of Chinese animation modelling.动画作为形象的文化传播形式,不仅仅是一个影视艺术形象,它还通过一系列后续产品的开发会渗透到生活的方方面面,影响着人们的精神文化生活。民间美术是一种大众文化,动画同样是一种大众的文化。民间艺术是滋养我们艺术的乳汁 ,是我国文化血液中的精华。它具有更广泛、更普及、更有
18、生命力的特点,因此更能体现并保持最根本最朴质的民族特征。因此本土动画形象也应该承载民族文化语言体系与符号系统,以传达角色性格、个性特征与故事情节,其气质个性、动作举止、外在形式都应散发出民族文化气息。Animation as a form of cultural transmission, image is not only a film and television art image, it also through the development of a series of subsequent products will infiltrateinto every aspect of
19、life, affectingpeoples spiritual and cultural life. Folk art is a kind of mass culture, animation, is also a kind of popular culture. Is milk nourishes our art, folk art is the culture of the essence in the blood. It has a wider and more universal, more vitality, so that can reflect and maintain the
20、 most fundamental and more pristine national characteristics. So local animation image should also carry national cultural language system with symbol system, in order to convey the character, personality traitsand the story, its personality, action manner and external form should be send out a nati
21、onal culture.我国民间艺术造型创造了一个奇异、欢乐、充满幼稚而又迷人的想象、夸张和幻想的世界。这种想象与夸张主要表现在造型不求肖似,多夸张局部特征,保持与物象更远的距离,往往把几种物象的造型因素组合在一起创造新的形象。如民间的布老虎突出虎头, 似人似猫,色彩鲜艳,虎的凶恶和力量消失,代之以漂亮、好玩和有趣。08 年北京奥运吉祥物福娃是中华民族多种象征形象的组合,这种创造的新形象更典型而内涵丰富, 令人印象深刻;另外民间艺术造型还表现在造型形态不受时空常规制约, 民间美术造型常用二维空间来表现三维空间, 把人物表现成多面 , 把动物表现为多头, 民间剪纸表现房子时并不按近大远小的透视
22、法则,而是将房子的四周平面展开,呈放射状,互不遮档。创造者们不会用静止的眼睛去观察物象 , 他们不仅能将一个物体的几个特征同时表现出来, 还特别善于从多角度去理解几组不同事物, 并将它们的特征在同一画面中进行综合表现, 把物象之间所占有的时空体验尽情尽兴地整合起来。比如:打腰鼓的人有三头六臂、七八条腿;侧面头像上画着正面的双眼；不同的动物统一在一个形象里这种破时空概念的营造方式,是通过与物象实际接触后所获取的多方面由表及里的感性理解构成一种解决多维感受的特殊格局。这种丰富的想象与组合夸张造型,既耐看,又禁得起品味,也为动画形象创新开辟了和谐的、理想的艺术空间。Modelling of folk
23、 art in China has created a singular, joy, full of childish and charming imagination, exaggerated and a world of fantasy.This kind of imagination and exaggeration in shape not like shaw, much exaggeration and local characteristics, remain with the object beyond distance, often taking several object
24、modelling factors together to create a new image. Such as folk cloth tiger tiger, like people who like cats, colourful,tiger fierce and strength will disappear,replacedbybeautiful, fun and interesting. 08 Beijing Olympic mascots fuwa is a symbol of the Chinese nation a variety of the combination of
25、image, this creates a new image is more typical and connotation is rich, impressive;Folk art modelling also displays in modelling form routine is not affected by time and space constraints, the folk fine arts modelling two-dimensional space is commonly used to represent three-dimensional space, the
26、characters into a multifaceted, the animals, characterized by long, folk paper-cut depending the house is not according to the recent small the perspective of law, but the house around the plane, radiated, each block. Creators dont use the stillness of the eyes to observe the object, they can not on
27、ly show the several characteristics of an object at the same time, also especially good at from the multiple perspectives to understand several groups of different things, and their characteristicsin the comprehensiveperformance of the same picture, betweenthe object held by theexperience of space a
28、nd time of happiness together. Such as: playing waist drum have superhuman powers, QiBaTiao legs; Profile on positiveeyes; Different animals unity in an image. The broken of the concept of space and time construction ways, it is through contact with the object actually acquired after many of its exc
29、ellent perceptual understanding, constitute a special pattern to solve multi-dimensional feel. Exaggerated modelling, rich imagination and combination is able to bear or endure look, and withstand taste, also for the animation image innovation opened up a harmonious, ideal art space.民间美术造型色彩明快、强烈,多用
30、纯色和对比色,有很强的装饰性和视觉冲击力 ,这同样可以为动画的民族化提供养料。民间艺人运用色彩大胆自由,不受表现对象固有色的局限,强调厚重,鲜亮透明 ,显示出沉着而又充满动感的视觉形象。它主要运用两对对比色:黄、紫和绿、红。其中的黄色接近土黄,属暖色系 ,倾向于朱红 ,而冷色系的绿偏黄,紫则偏红,这样就使整个暖色系显出了厚重感。在红与绿、黄与紫之间又用橙色加以谐调,这样既使整幅画的色彩达到饱和,同时又增加了画面的视觉冲击力。生态细木工板民间艺人创造出的这些经典性的程式化语言形成了具有中国民族特点的造型、色彩体系,为我国各种艺术的生长、壮大提供了丰厚的土壤。中国民间美术造型,不仅赋予自然万物以人
31、格化的灵性,还创造出富有美学特色而独具中国意味的样式化图式与符号语言, 其本质是一种深入人心的“古典之美”,是一种已认可的审美观。样式化的脸谱使人一眼就能辨出人物的忠奸善恶,“符号化”的语言有其独特的通俗性,不用去解释,受众也能体会到所要表达的含义。这些样式是许多艺术家和劳动人民多年提炼出来的艺术典型,它是一种潜移默化的审美标准,也是一种成熟的艺术符号。各种典型的形象集中了各类艺术原型的个性特征,这些个性特征使各种典型形象之间有着极大的差别。我们如从典型的民间艺术造型样式中脱胎出新造型而赋予其时代特征,就可能创造极具影响的中国动画形象。户外健身器材虽然今天数字动画似乎被新技术所主宰 , 但动画
32、的文化原创、艺术原创仍是动画的生命和灵魂。同时中国民间艺术造型语言非常丰富, 但如何能化为动画造型形象, 使之把传统的民族文化符号转化为一种备受当代人所喜爱的艺术形象, 这还需要运用当代先进的科学技术手段把传统的形式重新解读。Bright colors, strong folk fine arts modelling, multi-purpose solid color and contrast color, strong decorative and visual impact, it also can provide nutrients for nationalization of ani
33、mation. Folk artists used color boldly freedom, the performance is not affected by object inherent limitations of color, emphasizes the massiness,bright transparent,showing composureand dynamic visual image.It mainly USES twocontrasting colors: yellow, purple and green and red. The yellow is close t
34、o yellow, belong to warm color department, tend to scarlet, and the cool colors, green, yellow, purple, partial red, thus make the whole warm color department show the massiness. Between red and green, yellow and purple and orange to be humorous, so as to make the whole picture of colour saturation,
35、 at the same time increase the visual impact of the picture. Folk artists to create these classical programming languages, formed with Chinese national characteristics of modelling, colour system, provides the various arts of our country to grow, growrich soil. China folk fine arts modelling, the na
36、ture is not only endowed with spiritual personification, also create the rich esthetics characteristic and the style of the unique Chinese mean schemata and sign language, and its essence is a classical beauty is deeply rooted in the hearts of the people, is a kind of aesthetic has been approved. St
37、yling facebook makes people can immediatelytell the faithful evil,good and evil characters, symbol of language has its unique popularity, dont need to explain, audiences can experience to express meaning.These styles are many artists and working people of art typical for many years, it is a kind of
38、subtle aesthetic standard, is also a kind of art symbol of maturity. All kinds of typical image focus the personality characteristics of the prototype of all kinds of art, these personality characteristics vary enormously between the various typical image. We like from the style of a typical folk ar
39、ts modeling based new modelling and endow them with times characteristics, can create very influential Chinese animation image. Though today digital animation seems to be dominated by new technology, but the culture, art, original animation is still the life and soul of the animation. Chinese folk a
40、rt language modelling is very rich at the same time, but how can into animation modelling image, make the traditional cultural symbols into a contemporary peoples favorite art image, this also need to use modern advanced science and technology to the traditional form.动画是一个形象化较强的文化产业整体,动画形象是其灵魂,动画技术是
41、血脉,是创造完美动画的必备条件。所以在动画造型形象选择的同时又不可忽视相关因素的制约。泰安玻璃钢我们所主张在本土文化中寻找的动画形象, 应该是那些文化品位较高,民族风格鲜明,造型型制独特,而又适应于现代数字动画艺术表现的文化资源。作为新生代的动画设计者, 应该注重审视中国本土艺术中最具表现力的造型语言,不论是传统的木版年画、木雕、砖雕、石雕、刺绣、皮影、剪纸等都有动画所需求的造型因素,但如何把这些丰富的形象具体化、个性化并加以综合提炼 ,仍需要一个再创作的过程。矿车在此过程中,技术手段的掌握和用运至关重要。 从我国动画发展情况来看, 动画作品一直与民间艺术有着密不可分的联系。从丰富的民间艺术宝
42、库中吸取养分, 是我国动画民族化的一个重要途径。在发展数字动画时代, 我们注重对本土文化的继承,其目的是为了更好地发展现代化的动画产业,借鉴传统也是更好地服务于现代人的文化生活。在不拘一格发展具有中国特色的动画新样式的今天, 我们必须充分认识和理解本民族的文化精髓,才能更好地了解大众的审美心理和精神需求。使民间艺术在动画创作与生产中发挥积极的作用。Animation is a visual strong culture industry as a whole, animation image is its soul, animation technology is the blood, is
43、a prerequisite for creating perfect animation. So image in animation modelling choice and related factors cannot be ignored. We argued for animation image in the native culture, should be the high cultural taste, national style, style is unique, modelling and adapted to the modern digital animationa
44、rtperformance of the culturalresources. As a new generationof animation designer, should notice to examine Chinese the most expressive art modelling language, whether traditional woodblock NewYear pictures, woodcarving, brick, stone carving, embroidery, shadow play, paper cutting and so on all have
45、animation modelling factors of demand, but how to put these rich image of specific, personalized and integrated refining, still need a process of re-creation. In the process, mastering and using of technologymeans is very important. FromChinese animation development, animation has been linked to the
46、 folk art of the intimate contact. Absorb nutrients from the rich folk art treasure house, is our country animation nationalization of a important way. Era in the development of digital animation, we pay attention to the inheritance of local culture, its purpose is in order tobetterdevelopment of an
47、imation industry modernization, draw lessons from traditional is better service to modern peoples cultural life. In efforts to develop new style of animation with Chinese characteristics, we must fully recognize and understand the national culture essence, in order to better understand the publics aesthetic psychology and spirit demand.Make the folk art in animation creation and production to play a positive role.13