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1、传播优秀Word版文档 ，希望对您有帮助，可双击去除！英美文学史名词解释1. English Critical RealismEnglish critical realism of the 19th century flourished in the forties and in the early fifties. The realists first and foremost criticized the capitalist society from a democratic viewpoint and delineated (portrayed) the crying (extreme
2、ly shocking) contradictions of bourgeois reality. The greatness of the English realists lies not only in their satirical portrayal of bourgeoisie and in the exposure of the greed and hypocrisy of the ruling classes, but also in their sympathy for the laboring people. Humor and satire are used to exp
3、ose and criticize the seamy (dark) side of reality. The major contribution of the critical realists lies in their perfection of the novel. Charles Dickens and William Makepeace Thackeray are the most important representative of English critical realism.2. The Stream of ConsciousnessThe stream of con
4、sciousness is a psychological term indicating the flux of conscious and subconscious thoughts and impressions moving in the mind at any given time independently of the persons will. In late 19th century, the literary device of interior monologue was originated in France as an application of modern p
5、sychological knowledge to literary creations. In the 20th century, under the influence of Freud s theory of psychological analysis, a number of writers adopted the stream of consciousness method of novel writing. The striking feature of these novelists is their giving precedence to the depiction of
6、the characters mental and emotional reactions to external events, rather than the events themselves. In doing so, the novelists abandoned the conventional usages of realistic plot structure, characterization and description, and their works became successions of fleeting images of the external world
7、 mingled with thoughts and half-thoughts and shadows of thought attached to the immediate present or moving back and forth in memory. James Joyce and Virginia Woolf are the two best known novelists of the stream of consciousness.3. TranscendentalismTranscendentalism is the summit of the Romantic Mov
8、ement in the history of American literature in the 19th century. Transcendentalism has been defined philosophically as the recognition in man of the capacity of knowing truth intuitively. Transcendentalists place emphasis on the importance of the Over-soul, the individual and Nature. The most import
9、ant representatives are Ralph Waldo Emerson and Henry David Thoreau.4. RenaissanceRenaissance in European history refers to the period from 14th century to 17th century. Renaissance means revival, the revival of interest in Ancient Greek and Roman culture and getting rid of conservatism in feudalist
10、 Europe and introducing new ideas that express the interests of the rising bourgeoisie. It started in Italy and ended in England and Spain. Renaissance has two striking features. One is a thirsting curiosity for the classical literature; the other is the keen interest in the activities of humanity.
11、Humanism is the key-note of the Renaissance. Thomas More and William Shakespeare are the best representatives of the English humanists.5. Passive RomanticismEnglish romanticism began when Lyrical Ballad was published in 1798 and ended in 1832. It in effect is a revolt of the English imagination agai
12、nst the neoclassical reason. The romanticists who saw both the corruption of the feudal societies and the inhumanity of capitalism and felt that the society denied people their essential human needs. They were discontented with, and opposed to the development of capitalism. Some romantic writers ref
13、lected the thinking of classes ruined by the bourgeoisie, and by way of protest against capitalism development turned to the feudal past, i.e., the merry old English, as their ideal, or, frightened by the coming of industrialism and the nightmare towns of industry, they were turning to nature to nat
14、ure for protection. These were the elder and sometimes called passive or escapist romantics, represented by Wordsworth and Coleridge.6. ImagismImagism is a Movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom
15、, and avoidance of romantic or mystical themes, aiming at clarity of expression through the use of precise visual images. It grew out of the Symbolist Movement in 1912 and was initially led by Ezra Pound, Amy Lowell, and others. The Imagist manifesto that came out in 1912 showed three Imagist poetic
16、 principles: direct treatment of the “thing” (no fuss, frill or ornament), exclusion of superfluous words (precision and economy of expression), the rhyme of the musical phrase rather than the sequence of a metronome (free verse form and music).7. The Local Color MovementThe local color movement cam
17、e into particular prominence in America after the Civil War, perhaps as an attempt to recapture the glamour of a past era, or to portray the sections of the reunited country. Local color as a literary school emphasizes its setting, being concerned with the character of a district or of an era, as ma
18、rked by its customs, dialects costumes, landscape or other peculiarities that have escaped standardizing cultural influences. In local color literature, one finds the dual influence of romanticism and realism since the author frequently looks away from ordinary life to distant lands, strange customs
19、, or exotic scenes, but retains through minute detail a sense of fidelity and accuracy of description. Mark Twain is a representative of the American Local Colorism.8. The Lost GenerationThe Lost Generation is applied to the American writers who fought in the First World War, voluntarily exiled to P
20、aris, and associated with the informal literary saloon of Gertrude Steins Paris home for a certain period of time. They were all disillusioned with the American Tradition of writing as well as the post-war American society. The most eloquent spokesman of the group is Earnest Hemingway. Other writers are Ezra Pound, Fitzgerald, etc.