1、1. 英国文学史及选读第一册复习要点2. 1.Beowulf:nationalepicoftheEnglishpeople;Denmarkstory;alliteration,metaphorsandunderstatements(此处可能会有填空，选择等小题3. 2.Romance(名词解释)4. 3.“SirGawainandtheGreenKnighf,:afamousromanaboutKingArthur,sstory5. 4.Ballad名词解释)6. 5.CharacterofRobinHood7. 6.GeoffreyChaucer:founderofEnglishpoetry
2、TheCanterburyTales(maincontents;124storiesplanned,only24finished;writteninMiddleEnglish;significance;form:heroiccouplet)8. 7.Heroiccouplet(名词解释)8.Renaissance名词解释9.ThomasMoreUtopia9. 10.Sonnet名词解释)ILBlankverse名词解释12.EdmundSpenseruTheFaerieQueene,10. 13.FrancisBacon“essays”esp.OfStudies”1推荐阅读，学习写正式语体
3、的英文文章的好参照，本文用词正式优雅，多排比句和长句，语言造诣非常高，里面很多话都可以引用做格言警句，非常值得一读11. 14.WilliamShakespeare四大悲剧比拟重要，此外就是罗密欧与朱立叶了，这些剧的主题，背景，情节，人物形象都要熟悉，当然他最重要的是Hamlet这是肯定的。他的Sc)Imet也很重要，最重要属SOnnet18。其戏剧中著名对白和几首有名的十四行诗可能会出选读12. 15.JohnMilton三大史诗非常重要，特别是ParadiseLost和SamsonAgOniSteS。对于ParadiseLost需要知道它是blankverse写成的，故事情节来自OldTe
4、Stamen3另外要知道此书theme和Satan的形象。13. 16.JohnBunyanThePilgrim,sProgress14. 17.FounderoftheMetaphysicalschoolJohnDonne;featuresoftheschool:philosophicalpoems,complexrhythmsandstrangeimages.15. 18.Enlightenment名词解释16. 19.Neoclassicism名词解释17. 20.RichardSteele“TheTatlef,18. 21.JosephAddisonTheSpectator”这个比上面
5、那个要重要，注意这个报纸和我们今天的报纸不一样，它虚构了一系列的人物，以这些人物的口气来写报纸上刊登的散文，这一局部要仔细读。19. 22.SteeFsandAddison,sstylesandtheircontributions20. 23.AlexanderPope:EssayonCriticism”,EssayonMan”,TheRapeofLock”,TheDunciad;hisworkmanship(features)andlimitations21. 24.JonathanSwift:GulliverSTraVeIS”此书非常重要，要知道具体内容，就是GUlliVer游历过的四个地
6、方的英文名称，和每个局部具体的挖苦对象；我们主要讲了三个地方“AModestProposal”比拟重要，要注意作者用的irony也就是反讽手法。22. 25.Theriseandgrowthoftherealisticnovelisthemostprominentachievementof18thcenturyEnglishliterature.23. 26.DanielDefoe:uRobinsonCrusoe,MollFlanders,当然是RobinSOnCnISoe比拟重要，剧情要清楚，RobinsonCrusoe的形象和故事中蕴涵的早期黑奴的原形，以及殖民主义的萌芽。另外注意Defo
7、e的style和feature,另外DefOe是forerunnerofEnglishrealisticnovelo24. 27.SamuelRichardsonPamela(firstepistolarynovel),ClarissaHarlOWe,SirCharlesGrandison25. 28.HenryFielding:JosephAndrews”,uJonathanWild,TomJones”第一个和第三个比拟重要，需要仔细看。他是一个比拟重要的作家，另外Fielding也被称为fatheroftheEnglishnovel.26. 29.LaurenceSterneuTristr
8、amShandy”项狄传27. 30.RichardSheridan“TheSchoolforScanda,28. 31.OliverGoldsmithTheTraveller,(poem),TheDesertedVillage(poem)(bothtwopoemswerewrittenbyheroiccouplet),TheVicarofWakefield(novel),TheGood-NaturedMan”(comedy),“ShestoopstoConquer(comedy),TheCitizenoftheWorld(collectionofessays)29. 32.Sentiment
9、alism(名词解释)30. 33.ThomasGrayElegyWritteninaCountryChurchyard”英国诗歌里非常著名的一首，曾经被誉为“有史以来英国诗歌里最好的一首“)(arepresentativeofsentimentalismandgraveyardschoolofpoets墓园派诗人)31. *GraveyardSchool/Poets”:Atermappliedtoeighteenth-centurypoetswhowrotemeditativepoems,usuallysetinagraveyard,onthethemeofhumanmortality,in
10、moodswhichrangefromelegiacpensivenesstoprofoundgloom.ThevogueresultedinoneofthemostwidelyknownEnglishpoems,ThomasGray,sElegywritteninacountrychurchyard,ThewritingofgraveyardpoemsspreadfromEnglandtoContinentalliteratureinthesecondpartofthecenturyandalsoinfluencedsomeAmericanpoets.32. 34.Inthelatterha
11、lfofthe18thcentury,Pre-Romanticism;representative:WilliamBlakeandRobertBurns.33. 35.ThomasPercyuReliquesofAncientEnglishpoetry”许多中古的民谣都是在这个时期重新收集和整理起来的，这个集子是那个时代比拟有名的一个民谣集。34. 36.WilliamBlake比拟重要，需要对主要作品有所了解，特别!是SOngSOfInnoCenCe和SongsofExperience,这两本集子的COntraSt一定要注意，另外Blake的写作特点也要注意，比方语言的简单明了，神秘主义气氛
12、等。35. 37.RobertBurns伟大的苏格兰民族诗人,ARedRedRose,ScotsWhaHae,AuldLangSyne等名诗，写作特点：Scottishdialect;apoetofpeasantandScottishpeople;plainlanguage;influencefromScottishfolksongsandballads;musicalqualityofhispoems.36. 英国文学史及选读第二册练习题37. I.浪漫主义时期38. LEachofthestatementsbelowisfollowedbyfouralternativeanswers.Ch
13、oosetheonethatwouldbestcompletethestatementandputtheletterinthebrackets.39. 1.EnglishRomanticismisgenerallysaidtohavebegunwithin1798.40. A.thepublicationofLyricalBallads41. B.thedeathofSirScott42. C.thebirthofWilliamWordsworth43. D.thepassageofthefirstReformBillintheParliament44. 2.TheRomanticPeriod
14、isfirstofallanageof.45. A.NovelB.poetryC.dramaD.prose46. 3.Romanticismdoesnotemphasize.47. A.thespecialqualitiesofeachindividuasmind48. B.theinnerworldofthehumanspirit49. C.individuality50. D.thefeaturesthatmenhaveincommon51. 4.isnotaRomanticpoet.52. A.WilliamBlakeB.SirScottC.P.B.ShelleyD.LordByron5
15、3. 5.isaRomanticnovelistbutisimpressedwithneo-classicstrains.54. A.WalterScottB.MaryShelley55. C.JaneAustenD.AnnRadcliff56. 6.isnotcharacteristicofWilliamBlake,swriting.57. A.plainanddirectlanguageB.compressionofmeaning58. C.supernaturalqualityD.symbolism59. 7.WordsworthpublishedLyricalBalladsin1789
16、with.60. A.ByronB.ColeridgeC.ShelleyD.Keats61. 8.Wordsworththinksthatistheonlysubjectofliteraryinterest.62. A.thelifeofrisingbourgeoisie63. B.aristocraticlife64. C.thelifeoftheroyalfamily65. D.commonlife66. 9.DonJuanisthemasterpieceof.67. A.LordByron,sB.P.B.Shelley,s68. C.JohnKeats,sD.SamuelColeridg
17、e,s69. 10.isnotanovelwrittenbyJaneAusten.70. A.JaneEyreB.SenseandSensibility71. C.PrideandPrejudiceD.Emma72. II.Completeeachofthefollowingstatementswithaproperwordoraphraseaccordingtothetextbook.73. 1.Inessence,Romanticismdesignatesaliteraryandphilosophicaltheorywhichtendstoseetheastheverycenterofal
18、llifeandallexperience.74. 2.FortheRomantics,isnotonlythemajorsourceofpoeticimagery,butalsoprovidesthedominantsubjectmatter.75. 3.Wordsworthisregardedasaworshipperof.”76. 4.Accordingtothesubjects,Wordsworth,sshortpoemscanbeclassifiedintotwogroups:poemsaboutnatureandpoemsabout.77. 5.Coleridge,sachieve
19、mentaspoetcanbedividedintotworemarkablydiversegroups:andtheconversational.78. 6.AsaleadingRomanticist,Byron,schiefcontributionishiscreationofthe.”79. 7.isShelley,srepresentativework.80. 8.aregenerallyregardedasKeats,smostimportantandmaturework.81. 9.Beautyistruth,truthbeauty,5isafamouslineinKeats,s.
20、82. 10.isthemostdelightfulofJaneAusten,swork.83. III.Decidewhetherthefollowingstatementsaretrueorfalseandwriteyouranswersinthebrackets.84. ()1.TheRomanticperiodisalsoagreatageofprose.85. ()2.Romanticsalsotendtobenationalistic,defendingtheirownliteraryheritageagainsttheadvocatesofclassicalrules.86.
21、)3.ColeridgehasbeenrewardedasPoetLaureate.87. ()4.Keatsisoneofthe“LakePoets.88. ()5.JaneAustenisatypicalRomanticwriter.89. IV.Nametheauthorofeachofthefollowingliterarywork.90. 1.TheRimeoftheAncientMariner91. 2.SongsofInnocence92. 3.OdetoaNightingale93. 4.ASong:MenofEngland94. 5.ThePrelude95. V.Defi
22、netheliterarytermslistedbelow96. 1.Romanticism97. 2.Ode98. VLForeachofthequotationslistedbelowpleasegivethenameoftheauthorandthetitleoftheliteraryworkfromwhichitistakenandthenbrieflyinterpretit.99. 1.BethroughmylipstounawakenedEarth.100. Thetrumpetofaprophecy!O,Wind,101. Ifwintercomes,canSpringbefar
23、behind?102. 2.Foroft,whenonmycouchIlie103. Invacantorinpensivemood,104. Theyflashuponthatinwardeye105. Whichistheblissofsolitude;106. Andthenmyheartwithpleasurefills,107. Anddanceswiththedaffodils.108. Keys:109. L1.A2.B3.D4.B5.C6.C7.B8.D9.A10,A110. II.1.individual2.humanlife3.nature4.humanlife111. 5
24、thedemonic6.Byronichero7.OdetotheWestWind112. 8.Theodes9.OdeonaGrecianUrn10.PrideandPrejudice113. III.1.T2.T3.F4.F5.F114. IV.1.Coleridge2.Blake3.Keats4.Shelley5.Wordsworth115. V.1.Romanticismisamovementthatflourishedinliterature,philosophy,musicandartinwesterncultureduringmostofthenineteenthcentury
25、beginningasarevoltagainstclassicism.TherehavebeenmanyvarietiesofRomanticisminmanydifferenttimesandplaces.TheleadingfeaturesofRomanticmovementsareWordsworth,Shelley,etc.116. 2.Odeisacomplexandoftenlengthylyricpoem,writteninadignifiedformalstyleonsomeloftyorserioussubject.Odesareoftenwrittenforaspeci
26、aloccasion,tohonourapersonoraseasonortocommemorateanevent.117. VI.1.ItistakenfromShelley,sOdetotheWestWind.Inthispoem,Shelleyeulogizesthepowerfulwestwindandexpresseshiseagernesstoenjoytheboundlessfreedomfromthereality.Intheselastlines,thepoetshowshisoptimisticspiritforthefuture.118. 2.ItistakenfromW
27、ordsworth,s“IWanderedLonelyasaCloud.Thepoetthinksthatitisablisstorecollectthebeautyofnatureinhismindwhileheisinsolitude.Heexpresseshisstrongaffectingfornatureinthepoem.119. 11.维多利亚时期120. LEachofthestatementbelowisfollowedbyfouralternativeanswers.Choosetheonethatwouldbestcompletethestatementandputthe
28、letterinthebrackets121. 1.TheVictorianperiodroughlybeganattheenthronementofQueenVictoriain.122. A.1835B.1836C.1837D.1838123. 2.ThecriticalrealistslikeCharlesDickensintheVictorianperiodwrotenovels.124. A.representingthe18thcenturyrealistnovel125. B.criticizingthesociety126. C.defendingthemass127. E.a
29、lltheabove128. 3.isnotaVictorianovelist.129.A.CharlesDickens130.B.GeorgeEliot131.C.WilliamMakepeaceThackeray132.D.D.H.Lawrence133.4.isnotaworkbyCharlesDickens.134.A.OliverTwistB.DavidCopperfield135.C.MiddlemarchD.ATaleofTwoCities136.5.WutheringHeightsisamasterpiecewrittenby.137.A.CharlotteBronteB.Em
30、ilyBronte138.C.AnneBronteD.BranwellBronte139.6.isnotThomasHardy,swork.140. A.TheMillontheFloss141. B.TessoftheD5Urbervilles142. C.JudetheObscure143. D.TheMayorofCasterbridge144. 7.MyLastDuchessis.145. A.adramaticmonologueB.ashortlyric146. C.anovelD.anessay147. 8.Tennyson,s“Ulysses“getsitsinspiration
31、fromthefollowingworksorwritersexcept.148. A.Homer,sOdesseyB.Joyce,sUlysses149. C.DanteD.GreekMythology150. 9.Inthe19thcenturyEnglishliterature,anewliterarytrendappeared.Anditflourishedinthe1840sandintheearly1950s.151. A.romanticismB.naturalism152. C.realismD.criticalrealism153. 10.Thetitleofthenovel
32、VanityFairwastakenfrom.154. A.ThePilgrim,sProgress155. B.ChildeHarold,sPilgrimage156. C.Gulliver,sTravels157. D.TheCanterburyTales158. II.Completeeachofthefollowingstatementswithaproperwordoraphraseaccordingtothetextbook159. 1.TheaestheticistssuchasOscarWildeintheVictorianperiodadvocatedthetheoryof.
33、160. 2.IntheVictorianperiod,becamethemostwidelyreadandthemostvitalandchallengingexpressionofprogressivethought.161. 3.CharlesDickensisoneofthegreatestwritersoftheVictorianAge.162. 4.Tennyson,spoem“,isinmemoryofhisbosomfriendArthurHallam.163. 5.RobertBrowningisfamousforhis.164. 6.GeorgeEliofsisoneoft
34、hemostmatureworksinEnglishliterature.165. 7.Tennyson,sfamousdramaticmonologuebasedonthestoryinGreekMythologyis.”166. 8.isDickens5firstchildhero.167. 9.JaneEyrerepresentsthose-classworkingwomenwhoarestrugglingforrecognitionoftheirbasicrightsandequalityasahumanbeing.168. 10.ThemostimportantpoetoftheVi
35、ctorianAgewas.NexttohimwereRobertBrowningandhiswife.169. IILDecidewhetherthefollowingstatementsaretrueoffalseandwriteyouranswersinthebrackets.170. ()1.TheVictorianperiodhasbeengenerallyregardedasoneofthemostgloriousintheEnglishhistory.171. ()2.Tennysonisfamousforhisaestheticviewpointofartforart,ssak
36、e.”172. ()3.WutheringHeightsisthemasterpieceofCharlotteBronte,s.173. ()4.Browning,sMeetingatNighf,andPartingatMomingwereoriginallyonepoemindramaticmonologue.174. ()5.NaturalismhasplayedanimportantpartinThomasHardy,swork.175. IV.Nametheauthorofeachofthefollowingliteraryworks.176. 1.ThePosthumousPaper
37、softhePickwickClub177. 2.TheTenantOfWildfellHall178. 3.InMemoriam179. 4.TheMillontheFloss180. 5.TheReturnoftheNative181. V.Definetheliterarytermslistedbelow.182. 1.DramaticMonologue183. 2.CriticalRealism184. VLForeachofthequotationslistedbelowpleasegivethenameoftheauthorandthetitleoftheliteraryworkf
38、romwhichitistakenandthenbrieflyinterpretit.185. 1.Thatsameeveningthegentlemaninthewhitewaistcoatmostpositivelyanddecidedlyaffirmed,notonlythatOliverwouldbehung,butthathewouldbedrawnandquarteredintothebargain.Mr.Bumbleshoothisheadwithgloomymystery,andsaidhewishedhemightcometogood;where-untoMr.Gamfiel
39、dreplied,thathewishedhemightcometohimwhich,althoughheagreedwiththebeadleinmostmatters,wouldseemtobeawishofatotallyoppositedescription.186. Thenextmorning,thepublicwereoncemoreinformedthatOliverTwistwasagainToLet,andthatfivepoundswouldbepaidtoanybodywhowouldtakepossessionofhim.187. 2.Thus,neitherhavi
40、ngthecluetotheother,ssecret,theywererespectivelypuzzledatwhateachrevealed,andawaitednewknowledgeofeachother,scharacterandmoodswithoutattemptingtopryintoeachother,shistory.188. Everyday,everyhour,broughttohimonemorelittlestrokeofhernature,andtoheronemoreofhis.Tesswastryingtoleadarepressedlife,butshel
41、ittledivinedthestrengthofherownvitality.189. Keys:190.L1.B2.D3.D4.C5.B6.A7.A8.B9.D10.A191.II.1.artforart,ssake2.thenovel192.3.criticalrealist4.Break,Break,Break193.5.dramaticmonologue6.Middlemarch194.7.Ulysses8.OliverTwist195.9.middle10.Tennyson196.III.1.T2.F3.F4.F5.T197.IV.1.CharlesDickens2.AnneBro
42、nte198.3.AlfredTennyson4.GeorgeEliot199.5.ThomasHardy200. V.1.DramaticMonologueisakindofnarrativepoeminwhichonecharacterspeakstooneormorelistenerswhoserepliesarenotgiveninthepoem.TheoccasionisusuallyacrucialoneInthespeaker,spersonalityaswellastheincidentthatisthesubjectsofthepoem.Anexampleofadramati
43、cmonologueis“MyLastDuchessbyRobertBrowning.201. 2.CriticalRealismisaliterarymovementinthe19thcentury.Itstickstotheprincipaloffaithfulrepresentationofthe18thcenturyrealisticnovelandcarriesitsdutyforwardtothecriticismofthesocietyandthedefenseofthemass.TherepresentativefiguresareDickens,theBronte,s,etc
44、202. VI.1.ItistakenfromCharlesDickens,sOliverTwist.ThispartdescribeshowOliverispunishedforaskingformoretoeatandhowheisthereforesoldatthreepoundtentoanotoriouschimney-sweeper.Itrevealsthatthepitiablestateoftheorphanboyandthecrueltyandhypocrisyoftheworkhouseboard.203. 2.ItistakenfromThomasHardy,sTess
45、oftheD5Urbervilles.ThispartdescribeshowTessforgetsaboutherpastmisfortuneinthebeautiful,pastoraldairyfarmandunconsciouslygivesherselfuptotheattractionofAngelClare.204. III.现代时期205. LEachofthestatementbelowisfollowedbyfouralternativeanswers.Choosetheonethatwouldbestcompletethestatementandputtheletteri
46、nthebrackets206. 1.Modernismtakesasitstheoreticalbase.207. A.theirrationalphilosophyB.thetheoryofpsycho-analysis208. C.bothAandBD.neitherAnorB209. 2.Modernismroseoutof.210. A.skepticismB.disillusionofcapitalism211. C.irrationalphilosophyD.altheabove212. 3.Modernismis,inmanyaspects,areactionagainst.2
47、13. A.romanticismB.realism214. C.post-modernismD.alltheabove215. 4.isnotamovementinthemodernperiod.216. A.theAngryYoungMen,B.theBeatGeneration217. C.”theLostGeneration,D.theTheateroftheAbsurd”218. 5.isnotarepresentativefigureinapplyingthetechniqueof“thestreamofconsciousnessinhis/herwriting.219. A.D.H.LawrenceB.JamesJoyce220. C.VirginiaWoolfD.DorothyRichardson221. 6.WaitingforGodotisregardedasthemostfamousandinfluentialplayoftheTheaterofAbsurd.Itisw
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